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Showing posts with label Short Stories - Activities. Show all posts
Showing posts with label Short Stories - Activities. Show all posts

Wednesday, 19 October 2011

A Rose for Emily - Summary

A Rose for Emily: Introduction


William Faulkner's “A Rose for Emily” was originally published in the April 30, 1930, issue of Forum. It was his first short story published in a major magazine. A slightly revised version was published in two collections of his short fiction, These 13 (1931) and Collected Stories (1950). It has been published in dozens of anthologies as well. “A Rose for Emily” is the story of an eccentric spinster, Emily Grierson. An unnamed narrator details the strange circumstances of Emily’s life and her odd relationships with her father, her lover, and the town of Jefferson, and the horrible secret she hides. The story’s subtle complexities continue to inspire critics while casual readers find it one of Faulkner’s most accessible works. The popularity of the story is due in no small part to its gruesome ending.
Faulkner often used short stories to “flesh out” the fictional kingdom of Yoknapatawpha County, Mississippi, for his novels. In fact, he revised some of his short fiction to be used as chapters in those novels. “A Rose for Emily” takes place in Jefferson, the county seat of Yoknapatawpha. Jefferson is a critical setting in much of Faulkner’s fiction. The character of Colonel Sartoris plays a role in the story; he is also an important character in the history of Yoknapatawpha. However, “A Rose for Emily” is a story that stands by itself. Faulkner himself modestly referred to it as a “ghost story,” but many critics recognize it as an extraordinarily versatile work. As Frank A. Littler writes in Notes on Mississippi Writers, ‘‘A Rose for Emily’’ has been ‘‘read variously as a Gothic horror tale, a study in abnormal psychology, an allegory of the relations between North and South, a meditation on the nature of time, and a tragedy with Emily as a sort of tragic heroine.’’

A Rose for Emily Summary

The story, told in five sections, opens in section one with an unnamed narrator describing the funeral of Miss Emily Grierson. (The narrator always refers to himself in collective pronouns; he is perceived as being the voice of the average citizen of the town of Jefferson.) He notes that while the men attend the funeral out of obligation, the women go primarily because no one has been inside Emily’s house for years.
In a once-elegant, upscale neighborhood, her house is the last vestige of the grandeur of a lost era. Colonel Sartoris, the town’s previous mayor, had suspended Emily’s tax responsibilities to the town after her father’s death, justifying the action by claiming that Mr. Grierson had once lent the community a significant sum. As new town leaders take over, they make unsuccessful attempts to get Emily to resume payments. When members of the Board of Aldermen pay her a visit, in the dusty and antiquated parlor, Emily reasserts the fact that she is not required to pay taxes in Jefferson and that the officials should talk to Colonel Sartoris about the matter. However, at that point he has been dead for almost a decade. She asks her servant, Tobe, to show the men out.
In section II, the narrator describes a time thirty years earlier when Emily resists another official inquiry on behalf of the town leaders, when the townspeople detect a powerful odor emanating from her property. Her father has just died, and Emily has been abandoned by the man whom the townsfolk thought she was going to marry. As complaints mount, Judge Stevens, the mayor at the time, decides to have lime sprinkled along the foundation of the Grierson home in the middle of the night. Within a couple of weeks, the odor subsides, but the townspeople begin to pity the increasingly reclusive woman, recalling that her great-aunt had succumbed to insanity. The townspeople have always believed that the Griersons thought too highly of themselves, with Emily's father driving off the many suitors deemed not good enough to marry his daughter. With no offer of marriage in sight, she is still single by the time she turns thirty. The day after Mr. Grierson's death, the women of the town call on Emily to offer their condolences. Meeting them at the door, Emily states that her father is not dead, a charade that she keeps up for three days. She finally turns her father's body over for burial.
In section III, the narrator describes a long illness that Emily suffers after this incident. The summer after her father's death, the town contracts workers to pave the sidewalks, and a construction company, under the direction of northerner Homer Barron, is awarded the job. Homer soon becomes a popular figure in town and is seen taking Emily on buggy rides on Sunday afternoons, which scandalizes the town. They feel she is becoming involved with a man beneath her station. As the affair continues and her reputation is further compromised, she goes to the drug store to purchase arsenic. She is required by law to reveal how she will use the arsenic. She offers no explanation, and the package arrives at her house labeled “For rats.”
In section IV, the narrator describes the fear that some of the townspeople have that Emily will use the poison to kill herself. Her potential marriage to Homer seems increasingly unlikely, despite their continued Sunday ritual. The more outraged women of the town insist that the Baptist minister talk with her. After his visit, he never speaks of what happened and swears that he'll never go back. So the minister's wife writes to Emily's two cousins in Alabama, who arrive for an extended stay. Emily orders a silver toilet set monogrammed with Homer's initials and talk of the couple's marriage resumes. Homer, absent from town, is believed to be preparing for Emily's move or trying to avoid her intrusive relatives.
After the cousins' departure, Homer enters the Grierson home one evening and is never seen again. Holed up in the house, Emily grows plump and gray. Despite the occasional lesson she gives in china painting, her door remains closed to outsiders. In what becomes an annual ritual, Emily refuses to acknowledge the tax bill. She eventually closes up the top floor of the house. Except for the occasional glimpse of her in the window, nothing is heard from her until her death at age seventy-four. Only the servant is seen going in and out of the house.
In section V, the narrator describes what happens after Emily dies. Her body is laid out in the parlor, and the women, town elders, and two cousins attend the service. After some time has passed, the door to a sealed upstairs room that had not been opened in forty years is broken down. The room is frozen in time, with the items for an upcoming wedding and a man's suit laid out. Homer Barron's body is stretched on the bed in an advanced state of decay. The onlookers then notice the indentation of a head in the pillow beside Barron's body and a long strand of Emily's gray hair on the pillow.

Character List

Emily Grierson - The object of fascination in the story. An eccentric recluse, Emily is a mysterious figure who changes from a vibrant and hopeful young girl to a cloistered and secretive old woman. Devastated and alone after her father’s death, she is an object of pity for the townspeople. After a life of having potential suitors rejected by her father, she spends time after his death with a newcomer, Homer Barron, although the chances of his marrying her decrease as the years pass. Bloated and pallid in her later years, her hair turns steel gray. She ultimately poisons Homer and seals his corpse into an upstairs room.
Homer Barron - A foreman from the North. Homer is a large man with a dark complexion, a booming voice, and light-colored eyes. A gruff and demanding boss, he wins many admirers in Jefferson because of his gregarious nature and good sense of humor. He develops an interest in Emily and takes her for Sunday drives in a yellow-wheeled buggy. Despite his attributes, the townspeople view him as a poor, if not scandalous, choice for a mate. He disappears in Emily's house and decomposes in an attic bedroom after she poisons him.
Judge Stevens - A mayor of Jefferson. Eighty years old, Judge Stevens attempts to delicately handle the complaints about the smell emanating from the Grierson property. To be respectful of Emily’s pride and former position in the community, he and the aldermen decide to sprinkle lime on the property in the middle of the night.
Mr. Grierson - Emily's father. Mr. Grierson is a controlling, looming presence even in death, and the community clearly sees his lasting influence over Emily. He deliberately thwarts Emily's attempts to find a husband in order to keep her under his control. We get glimpses of him in the story: in the crayon portrait kept on the gilt-edged easel in the parlor, and silhouetted in the doorway, horsewhip in hand, having chased off another of his daughter's suitors.
Tobe - The Black African American. Emily's servant. Tobe, his voice supposedly rusty from lack of use, is the only lifeline Emily has to the outside world and he cares for her and tends to her needs. After her death, he walks out the back door and never returns.
Colonel Sartoris - A former mayor of Jefferson. Colonel Sartoris absolves Emily of any tax burden after the death of her father, which later causes consternation to succeeding generations of town leaders.

Sunday, 31 January 2010

John Steinbeck - The Murder


SHORT STORY

The Murder

Biography

John Ernst Steinbeck was born in Salinas, California, on February 27, 1902 of German and Irish ancestry. His father, John Steinbeck, Sr., served as the County Treasurer while his mother, Olive (Hamilton) Steinbeck, a former school teacher, fostered Steinbeck's love of reading and the written word. During summers he worked as a hired hand on nearby ranches, nourishing his impression of the California countryside and its people.

After graduating from Salinas High School in 1919, Steinbeck attended Stanford University. Originally an English major, he pursued a program of independent study and his attendance was sporadic. During this time he worked periodically at various jobs and left Stanford permanently in 1925 to pursue his writing career in New York. However, he was unsuccessful in getting any of his writing published and finally returned to California.
His first novel, Cup of Gold was published in 1929, but attracted little attention. His two subsequent novels, The Pastures of Heaven and To a God Unknown, were also poorly received by the literary world.

Steinbeck married his first wife, Carol Henning in 1930. They lived in Pacific Grove where much of the material for Tortilla Flat and Cannery Row was gathered. Tortilla Flat (1935) marked the turning point in Steinbeck's literary career. It received the California Commonwealth Club's Gold Medal for best novel by a California author. Steinbeck continued writing, relying upon extensive research and his personal observation of the human condition for his stories. The Grapes of Wrath (1939) won the Pulitzer Prize.

During World War II, Steinbeck was a war correspondent for the New York Herald Tribune. Some of his dispatches were later collected and made into Once There Was a War.

John Steinbeck was awarded the Nobel Prize for Literature in 1962 “...for his realistic as well as imaginative writings, distinguished by a sympathetic humor and a keen social perception.”


Analyzing John Steinbeck’s “The Murder” makes the reader experience fixed feelings. As John Steinbeck himself is known to be an extraordinary writer his story “The Murder” completely confirms this belief. The story mainly deals with the contraposition of the image of a man and the image of a woman. The author of the story makes the woman lag behind and blindly obey man’s orders. She fulfills her duties without showing any emotional response to the occurring. It is a story of a married couple where the wife is a “foreigner” to her husband.

"The Murder" by John Steinbeck - Summary Essay

From the very beginning the author reveals the woman as a submissive being and a man as a “ruling one”. This starts with Jim Moore picking a wife not on the basis of emotionally touching relations, true devotion or respect of the girl’s family but on the basis of the appearance of Jelka Sepic: “Jim was not proud of her foreign family, of her many brothers and sisters and cousins, but was delighted in her beauty”[Steinbeck, p.2]. Jelka is presented like a “good” that fits Jim’s demands as a buyer. One of the Jelka’s qualities the author makes an emphasis on her ability to be a brilliant housekeeper and nothing is said about her personality. Jelka serves as a “maid” to her husband. She just learned his habits and he did not do anything really to make an emotional connection with her, as it was all he needed for the first time. For Jim, Jelka is just a “Jugo-Slav girl”[Steinbeck, p.2], a girl from another culture he decided to marry and nothing more than that. He treats her as an inanimate object and this becomes the reason she acts like one, too. Galaghard in his analysis of the story gives an excellent interpretation of the author’s attitude towards Jelka –“She, as Steinbeck puts it, is really so much like an animal. Like a domesticated pet, she trains to do tricks for her master to receive attention, acclaim, and regard”[Galaghard, p.1]. In fact Jim completely suppresses her and sometimes gets irritated with her like with a pet. Galaghard’s interpretation gains a new life in the context of Jim’s further behavior. It reminds a lot of the formation of a conditioned reflex. After Jim finds Jelka in bed with her cousin he just punishes her like a “bad pet” and comes back to normal living because he is just so used to this “pet”. Now the “pet” knows that it will be punished for any “misbehavior”. Jim does not get into the Jelka’s feelings, because there is not need to ask a “pet” about its feelings especially when it keeps “moving its tail”. This story can be hardly called a love story, as it has nothing to do with love. “Difference is not only in love and in the manner of loving, but now also in being human versus subhuman”, - and in this case a subhuman is Jelka [Fensch, p.15]. Jelka is not as weak-willed as the author tries to depict her, she is just doing everything the way it was done by her parents and grandparents. Jim accepts her as a silent housekeeper and does not require more than that from a woman and does not actually do anything to change it except preferring to spend the evenings in another company. Jelka is truly a subhuman; a useful object in the house and no surprise Jim “patted her head and neck under the same impulse that made him stroke a horse”[Steinbeck, p.3]. The author reveals half-hidden anti-feminist thoughts, which make the reader percept Jelka as a mediocrity. In reality men like Jim and Jelka’s father primarily create this mediocrity.


Thursday, 22 October 2009

JUST GOOD FRIENDS - Jeffrey Archer


Review:

Very few authors are capable of writing good books everytime and Jeffrey Archer is definitely one of those authors. He always writes very good novels and short stories. Just good friends by Jeffrey Archer is a good short story. It just seems to be a normal story till the last page when suddenly readers gets a twist in the tale and the last line makes the readers imagination throughout reading the book go topsy turvy. The story is a narration and the narrator starts the story on a morning. The narrator just wakes up on a morning and looks at the guy next to her sleeping. She thinks that the guy will not get up till sometime and starts remembering the initial days of their meeting. They met in a bar after her boyfriend cheats on her and goes away after making her pregnant. She sees the guy with whom she lives now at a bar and feels jealous of a girl who goes with him to bar. After twenty days when they break up the narrator feels very happy and goes to the guy’s side and sits there. The guy looks up at the narrator and softly touches her cheek and takes her home. They would be living in his house since then. When she gets out of her thoughts she sees him get up and go to the kitchen. He pours milk into his cornflakes bowl and in another bowl pours milk and offers that bowl to the narrator and she swishes her tail and drinks it happily. The author wrote the story in such a way that no one gets the doubt that the narrator is not a woman but a cat.

Questions:

1. What do remember about Jeffrey Archer?
2. Who are the main characters of the story?
3. Who is the narrator? How do you know?
4. How did you find out the narrator is a cat?
5. When did you find out the narrator is a cat?
6. What does "she" say about herself?
7. Can you describe Roger?
8. Where did the narrator and Roger first meet? How was that?
9. Can you describe their relationship?
10. Were you surprised to discover the narrator is a cat? Why?
11. Did you like the story? Why?