A Rose for Emily (1930)

A Rose for Emily (1930)

by William Faulkner

I

1

When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old man-servant—a combined gardener and cook—had seen in at least ten years.

2

It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. But garages and cotton gins had encroached and obliterated even the august names of that neighborhood; only Miss Emily's house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps—an eyesore among eyesores. And now Miss Emily had gone to join the representatives of those august names where they lay in the cedar-bemused cemetery among the ranked and anonymous graves of Union and Confederate soldiers who fell at the battle of Jefferson.

3

Alive, Miss Emily had been a tradition, a duty, and a care; a sort of hereditary obligation upon the town, dating from that day in 1894 when Colonel Sartoris, the mayor—he who fathered the edict that no Negro woman should appear on the streets without an apron—remitted her taxes, the dispensation dating from the death of her father on into perpetuity. Not that Miss Emily would have accepted charity. Colonel Sartoris invented an involved tale to the effect that Miss Emily's father had loaned money to the town, which the town, as a matter of business, preferred this way of repaying. Only a man of Colonel Sartoris’ generation and thought could have invented it, and only a woman could have believed it.

4

When the next generation, with its more modern ideas, became mayors and aldermen, this arrangement created some little dissatisfaction. On the first of the year they mailed her a tax notice. February came, and there was no reply. They wrote her a formal letter, asking her to call at the sheriff's office at her convenience. A week later the mayor wrote her himself, offering to call or to send his car for her, and received in reply a note on paper of an archaic shape, in a thin, flowing calligraphy in faded ink, to the effect that she no longer went out at all. The tax notice was also enclosed, without comment.

5

They called a special meeting of the Board of Aldermen. A deputation waited upon her, knocked at the door through which no visitor had passed since she ceased giving china-painting lessons eight or ten years earlier. They were admitted by the old Negro into a dim hall from which a stairway mounted into still more shadow. It smelled of dust and disuse—a close, dank smell. The Negro led them into the parlor. It was furnished in heavy, leather-covered furniture. When the Negro opened the blinds of one window, they could see that the leather was cracked; and when they sat down, a faint dust rose sluggishly about their thighs, spinning with slow motes in the single sun-ray. On a tarnished gilt easel before the fireplace stood a crayon portrait of Miss Emily’s father.

6

They rose when she entered—a small, fat woman in black, with a thin gold chain descending to her waist and vanishing into her belt, leaning on an ebony cane with a tarnished gold head. Her skeleton was small and spare; perhaps that was why what would have been merely plumpness in another was obesity in her. She looked bloated, like a body long submerged in motionless water, and of that pallid hue. Her eyes, lost in the fatty ridges of her face, looked like two small pieces of coal pressed into a lump of dough as they moved from one face to another while the visitors stated their errand.

7

She did not ask them to sit. She just stood in the door and listened quietly until the spokesman came to a stumbling halt. Then they could hear the invisible watch ticking at the end of the gold chain.

8

Her voice was dry and cold. “I have no taxes in Jefferson. Colonel Sartoris explained it to me. Perhaps one of you can gain access to the city records and satisfy yourselves.”

9

“But we have. We are the city authorities, Miss Emily. Didn’t you get a notice from the sheriff, signed by him?”

10

“I received a paper, yes," Miss Emily said. "Perhaps he considers himself the sheriff . . . I have no taxes in Jefferson.”

11

“But there is nothing on the books to show that, you see. We must go by the—”

12

“See Colonel Sartoris. I have no taxes in Jefferson.”

13

“But, Miss Emily—”

14

“See Colonel Sartoris.” (Colonel Sartoris had been dead almost ten years.) “I have no taxes in Jefferson. Tobe!” The Negro appeared. “Show these gentlemen out.” II

15

So she vanquished them, horse and foot, just as she had vanquished their fathers thirty years before about the smell. That was two years after her father’s death and a short time after her sweetheart—the one we believed would marry her—had deserted her. After her father’s death she went out very little; after her sweetheart went away, people hardly saw her at all. A few of the ladies had the temerity to call, but were not received, and the only sign of life about the place was the Negro man—a young man then—going in and out with a market basket.

16

“Just as if a man—any man—could keep a kitchen properly,” the ladies said; so they were not surprised when the smell developed. It was another link between the gross, teeming world and the high and mighty Griersons.

17

A neighbor, a woman, complained to the mayor, Judge Stevens, eighty years old.

18

“But what will you have me do about it, madam?” he said.

19

“Why, send her word to stop it,” the woman said. “Isn't there a law?”

20

“I'm sure that won’t be necessary,” Judge Stevens said. “It's probably just a snake or a rat that nigger of hers killed in the yard. I'll speak to him about it.”

21

The next day he received two more complaints, one from a man who came in diffident deprecation. “We really must do something about it, Judge. I'd be the last one in the world to bother Miss Emily, but we’ve got to do something.” That night the Board of Aldermen met--three graybeards and one younger man, a member of the rising generation.

22

“It’s simple enough,” he said. “Send her word to have her place cleaned up. Give her a certain time to do it in, and if she don’t . . .”

23

“Dammit, sir,” Judge Stevens said, “will you accuse a lady to her face of smelling bad?”

24

So the next night, after midnight, four men crossed Miss Emily's lawn and slunk about the house like burglars, sniffing along the base of the brickwork and at the cellar openings while one of them performed a regular sowing motion with his hand out of a sack slung from his shoulder. They broke open the cellar door and sprinkled lime there, and in all the outbuildings. As they recrossed the lawn, a window that had been dark was lighted and Miss Emily sat in it, the light behind her, and her upright torso motionless as that of an idol. They crept quietly across the lawn and into the shadow of the locusts that lined the street. After a week or two the smell went away.

25

That was when people had begun to feel really sorry for her. People in our town, remembering how old lady Wyatt, her great-aunt, had gone completely crazy at last, believed that the Griersons held themselves a little too high for what they really were. None of the young men were quite good enough for Miss Emily and such. We had long thought of them as a tableau, Miss Emily a slender figure in white in the background, her father a spraddled silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the back-flung front door. So when she got to be thirty and was still single, we were not pleased exactly, but vindicated; even with insanity in the family she wouldn't have turned down all of her chances if they had really materialized.

26

When her father died, it got about that the house was all that was left to her; and in a way, people were glad. At last they could pity Miss Emily. Being left alone, and a pauper, she had become humanized. Now she too would know the old thrill and the old despair of a penny more or less.

27

The day after his death all the ladies prepared to call at the house and offer condolence and aid, as is our custom Miss Emily met them at the door, dressed as usual and with no trace of grief on her face. She told them that her father was not dead. She did that for three days, with the ministers calling on her, and the doctors, trying to persuade her to let them dispose of the body. Just as they were about to resort to law and force, she broke down, and they buried her father quickly.

28

We did not say she was crazy then. We believed she had to do that. We remembered all the young men her father had driven away, and we knew that with nothing left, she would have to cling to that which had robbed her, as people will. III

29

She was sick for a long time. When we saw her again, her hair was cut short, making her look like a girl, with a vague resemblance to those angels in colored church windows—sort of tragic and serene.

30

The town had just let the contracts for paving the sidewalks, and in the summer after her father’s death they began the work. The construction company came with riggers and mules and machinery, and a foreman named Homer Barron, a Yankee—a big, dark, ready man, with a big voice and eyes lighter than his face. The little boys would follow in groups to hear him cuss the riggers, and the riggers singing in time to the rise and fall of picks. Pretty soon he knew everybody in town. Whenever you heard a lot of laughing anywhere about the square, Homer Barron would be in the center of the group. Presently we began to see him and Miss Emily on Sunday afternoons driving in the yellow-wheeled buggy and the matched team of bays from the livery stable.

31

At first we were glad that Miss Emily would have an interest, because the ladies all said, “Of course a Grierson would not think seriously of a Northerner, a day laborer.” But there were still others, older people, who said that even grief could not cause a real lady to forget noblesse oblige—without calling it noblesse oblige. They just said, “Poor Emily. Her kinsfolk should come to her.” She had some kin in Alabama; but years ago her father had fallen out with them over the estate of old lady Wyatt, the crazy woman, and there was no communication between the two families. They had not even been represented at the funeral.

32

And as soon as the old people said, “Poor Emily,” the whispering began. “Do you suppose it’s really so?” they said to one another. “Of course it is. What else could . . .” This behind their hands; rustling of craned silk and satin behind jalousies closed upon the sun of Sunday afternoon as the thin, swift clop-clop-clop of the matched team passed: “Poor Emily.”

33

She carried her head high enough—even when we believed that she was fallen. It was as if she demanded more than ever the recognition of her dignity as the last Grierson; as if it had wanted that touch of earthiness to reaffirm her imperviousness. Like when she bought the rat poison, the arsenic. That was over a year after they had begun to say “Poor Emily,” and while the two female cousins were visiting her.

34

“I want some poison,” she said to the druggist. She was over thirty then, still a slight woman, though thinner than usual, with cold, haughty black eyes in a face the flesh of which was strained across the temples and about the eye-sockets as you imagine a lighthouse-keeper’s face ought to look. “I want some poison,” she said.

35

“Yes, Miss Emily. What kind? For rats and such? I'd recom—”

36

“I want the best you have. I don't care what kind.”

37

The druggist named several. “They'll kill anything up to an elephant. But what you want is—”

38

“Arsenic,” Miss Emily said. “Is that a good one?”

39

“Is . . . arsenic? Yes, ma’am. But what you want—”

40

“I want arsenic.”

41

The druggist looked down at her. She looked back at him, erect, her face like a strained flag. “Why, of course,” the druggist said. “If that’s what you want. But the law requires you to tell what you are going to use it for.”

42

Miss Emily just stared at him, her head tilted back in order to look him eye for eye, until he looked away and went and got the arsenic and wrapped it up. The Negro delivery boy brought her the package; the druggist didn't come back. When she opened the package at home there was written on the box, under the skull and bones: “For rats.” IV

43

So the next day we all said, “She will kill herself”; and we said it would be the best thing. When she had first begun to be seen with Homer Barron, we had said, “She will marry him.” Then we said, “She will persuade him yet,” because Homer himself had remarked—he liked men, and it was known that he drank with the younger men in the Elks’ Club—that he was not a marrying man. Later we said, “Poor Emily” behind the jalousies as they passed on Sunday afternoon in the glittering buggy, Miss Emily with her head high and Homer Barron with his hat cocked and a cigar in his teeth, reins and whip in a yellow glove.

44

Then some of the ladies began to say that it was a disgrace to the town and a bad example to the young people. The men did not want to interfere, but at last the ladies forced the Baptist minister—Miss Emily’s people were Episcopal—to call upon her. He would never divulge what happened during that interview, but he refused to go back again. The next Sunday they again drove about the streets, and the following day the minister’s wife wrote to Miss Emily’s relations in Alabama.

45

So she had blood-kin under her roof again and we sat back to watch developments. At first nothing happened. Then we were sure that they were to be married. We learned that Miss Emily had been to the jeweler’s and ordered a man’s toilet set in silver, with the letters H. B. on each piece. Two days later we learned that she had bought a complete outfit of men’s clothing, including a nightshirt, and we said, “They are married.” We were really glad. We were glad because the two female cousins were even more Grierson than Miss Emily had ever been.

46

So we were not surprised when Homer Barron—the streets had been finished some time since—was gone. We were a little disappointed that there was not a public blowing-off, but we believed that he had gone on to prepare for Miss Emily’s coming, or to give her a chance to get rid of the cousins. (By that time it was a cabal, and we were all Miss Emily’s allies to help circumvent the cousins.) Sure enough, after another week they departed. And, as we had expected all along, within three days Homer Barron was back in town. A neighbor saw the Negro man admit him at the kitchen door at dusk one evening.

47

And that was the last we saw of Homer Barron. And of Miss Emily for some time. The Negro man went in and out with the market basket, but the front door remained closed. Now and then we would see her at a window for a moment, as the men did that night when they sprinkled the lime, but for almost six months she did not appear on the streets. Then we knew that this was to be expected too; as if that quality of her father which had thwarted her woman’s life so many times had been too virulent and too furious to die.

48

When we next saw Miss Emily, she had grown fat and her hair was turning gray. During the next few years it grew grayer and grayer until it attained an even pepper-and-salt iron-gray, when it ceased turning. Up to the day of her death at seventy-four it was still that vigorous iron-gray, like the hair of an active man.

49

From that time on her front door remained closed, save for a period of six or seven years, when she was about forty, during which she gave lessons in china-painting. She fitted up a studio in one of the downstairs rooms, where the daughters and granddaughters of Colonel Sartoris’ contemporaries were sent to her with the same regularity and in the same spirit that they were sent to church on Sundays with a twenty-five-cent piece for the collection plate. Meanwhile her taxes had been remitted.

50

Then the newer generation became the backbone and the spirit of the town, and the painting pupils grew up and fell away and did not send their children to her with boxes of color and tedious brushes and pictures cut from the ladies’ magazines. The front door closed upon the last one and remained closed for good. When the town got free postal delivery, Miss Emily alone refused to let them fasten the metal numbers above her door and attach a mailbox to it. She would not listen to them.

51

Daily, monthly, yearly we watched the Negro grow grayer and more stooped, going in and out with the market basket. Each December we sent her a tax notice, which would be returned by the post office a week later, unclaimed. Now and then we would see her in one of the downstairs windows—she had evidently shut up the top floor of the house—like the carven torso of an idol in a niche, looking or not looking at us, we could never tell which. Thus she passed from generation to generation—dear, inescapable, impervious, tranquil, and perverse.

52

And so she died. Fell ill in the house filled with dust and shadows, with only a doddering Negro man to wait on her. We did not even know she was sick; we had long since given up trying to get any information from the Negro. He talked to no one, probably not even to her, for his voice had grown harsh and rusty, as if from disuse.

53

She died in one of the downstairs rooms, in a heavy walnut bed with a curtain, her gray head propped on a pillow yellow and moldy with age and lack of sunlight. V

54

The Negro met the first of the ladies at the front door and let them in, with their hushed, sibilant voices and their quick, curious glances, and then he disappeared. He walked right through the house and out the back and was not seen again.

55

The two female cousins came at once. They held the funeral on the second day, with the town coming to look at Miss Emily beneath a mass of bought flowers, with the crayon face of her father musing profoundly above the bier and the ladies sibilant and macabre; and the very old men—some in their brushed Confederate uniforms—on the porch and the lawn, talking of Miss Emily as if she had been a contemporary of theirs, believing that they had danced with her and courted her perhaps, confusing time with its mathematical progression, as the old do, to whom all the past is not a diminishing road but, instead, a huge meadow which no winter ever quite touches, divided from them now by the narrow bottle-neck of the most recent decade of years.

56

Already we knew that there was one room in that region above stairs which no one had seen in forty years, and which would have to be forced. They waited until Miss Emily was decently in the ground before they opened it.

57

The violence of breaking down the door seemed to fill this room with pervading dust. A thin, acrid pall as of the tomb seemed to lie everywhere upon this room decked and furnished as for a bridal: upon the valance curtains of faded rose color, upon the rose-shaded lights, upon the dressing table, upon the delicate array of crystal and the man’s toilet things backed with tarnished silver, silver so tarnished that the monogram was obscured. Among them lay a collar and tie, as if they had just been removed, which, lifted, left upon the surface a pale crescent in the dust. Upon a chair hung the suit, carefully folded; beneath it the two mute shoes and the discarded socks.

58

The man himself lay in the bed.

59

For a long while we just stood there, looking down at the profound and fleshless grin. The body had apparently once lain in the attitude of an embrace, but now the long sleep that outlasts love, that conquers even the grimace of love, had cuckolded him. What was left of him, rotted beneath what was left of the nightshirt, had become inextricable from the bed in which he lay; and upon him and upon the pillow beside him lay that even coating of the patient and biding dust.

60

Then we noticed that in the second pillow was the indentation of a head. One of us lifted something from it, and leaning forward, that faint and invisible dust dry and acrid in the nostrils, we saw a long strand of iron-gray hair. ■■

Kennedy, X. J., and Gioia, Dana, eds. _Literature: An Introduction to Fiction, Poetry, and Drama_. 6 ed. New York: Harper Collins, 1995.

Just good friends - The ending!!!

"Good of you to join me," he said, a grin spreading over his face. I padded over towards him and looked up expectantly. He bent down and pushed my bowl towards me. I began to lap up the milk happily, my tail swishing from side to side. It's a myth that we only swish our tails when we're angry.

A Review:
Review Related Questions/Answers Your Review
Just Goodfriends by Jeffrey Archer

Very few authors are capable of writing good books everytime and Jeffrey Archer is definitely one of those authors. He always writes very good novels and short stories. Just good friends by Jeffrey Archer is a good short story. It just seems to be a normal story till the last page when suddenly readers gets a twist in the tale and the last line makes the readers imagination throughout reading the book go topsy turvy. The story is a narration and the narrator starts the story in a morning. The narrator just wakes up one morning and looks at the guy next to her sleeping. She thinks that the guy will not get up till sometime and starts remembering the initial days of their meeting. They met in a bar after her boyfriend cheats on her and goes away after making her pregnant. She sees the guy with whom she lives now at a bar and feels jealous of a girl who goes with him to bar. After twenty days when they break up the narrator feels very happy and goes to the guy’s side and sits there. The guy looks up at the narrator and softly touches her cheek and takes her home. They would be living in his house since then. When she gets out of her thoughts she sees him get up and go to the kitchen. He pours milk into his cornflakes bowl and in another bowl pours milk and offers that bowl to the narrator and she swishes her tail and drinks it happily. The author wrote the story in such a way that no one gets the doubt that the narrator is not a woman but a cat.

Rating: 8

John Steinbeck - The Murder

Jeffrey Archer – from Tales in a Twist – short story "Just good Friends”

I woke up before him feeling slightly randy but I knew there was nothing I could do about it.
I blinked and my eyes immediately accustomed themselves to the half light. I raised my head and gazed at the large expanse of motionless white flesh lying next to me. If only he took as much exercise as I did he wouldn't have that spare lyre, I thought unsympathetically. Roger stirred restlessly and even turned over to face me, but I knew he would not be fully awake until the alarm on his side of the bed started ringing. I pondered for a moment whether I could go back to sleep again or should get up and find myself some breakfast before he woke. In the end I settled forjust lying still on my side day-dreaming, but making sure I didn't disturb him. When he did eventually open his eyes I planned to pretend I was still asleep- that way he would end up getting breakfast for me. I began to go over the things that needed to be done after he had left for the of fice. As long as I was at home ready to greet him when he returned from work, he didn't seem to mind what I got up to during the day. A gentle rumble emanated from his side of the bed. Roger's snoring never disturbed me. My affection for him was unbounded, and I only wished I could find the words to let him know. In truth, he was the first man I had really appreciated. As I gazed at his unshaven face I was reminded that it hadn't been his looks which had attracted me in the pub that night. I had first come across Roger in the Cat and Whistle, a public house situated on the corner of Mafeking Road. You might say it was our local. He used to come in around eight, order a pint of mild and take it to a small table in the corner of the room just beyond the dartboard. Mostly he would sit alone, watching
the darts being thrown towards double top but more often settling in one or five, if they managed to land on the board at all. He never played the game himself, and I often wondered, from my vantage point behind the bar, if he were fearful of relinquishing his favourite seat orjust had no interest in the sport. Then things suddenly changed for Roger - for the better, was no doubt how he saw it - when one evening in early spring a blonde named Madeleine, wearing an imitation fur coat and drinking double gin and its, perched on the stool beside him. I had never seen her in the pub before but she was obviously known locally, and loose bar talk led me to believe it couldn't last. You see, word was about that she was looking for someone whose horizons stretched beyond the Cat and Whistle.In fact the affair - if that's what it ever came to - lasted for only twenty days. I know because I counted every one of them. Then one night voices were raised and heads turned as she left the small stool just as suddenly as she had come. His tired eyes watched her walk to a vacant place at the corner of the bar, but he didn't show any surprise at her departure and made no attempt to pursue her. Her exit was my cue to enter. I almost leapt from behind the bar and, moving as quickly as dignity allowed, was seconds later sitting on the vacant stool beside him. He didn't comment and certainly made no attempt to offer me a drink, but the one glance he shot in my direction did not suggest he found me an unacceptable replacement. I looked around to see if anyone else had plans to usurp my position. The men standing round the dartboard didn't seem to care. Treble seventeen, twelve and a five kept them more than occupied. I glanced towards the bar to check if the boss had noticed my absence, but he was busy taking orders. I saw Madeleine was already sipping a glass of champagne from the pub's only bottle, purchased by a stranger whose stylish double-breasted blazer and striped bow tie convinced me she wouldn't be bothering with Roger any longer. She looked well set for at least another twenty days. I looked up at Roger - I had known his name for some time, although I had never addressed him as such and I couldn't be sure that he was aware of mine. I began to flutter my eyelashes in a rather exaggerated way. I felt a little stupid but at least it elicited a
gentle smile. He leaned over and touched my cheek, his hands surprisingly gentle. Neither of us felt the need to speak. We were both lonely and it seemed unnecessary to explain why. We sat in silence, he occasionally sipping his beer, I from time to time rearranging my legs, while a few feet from us the darts pursued their undetermined course. When the publican cried, "Last orders," Roger downed the remains of his beer while the dart players completed what had to be their final game.
No one commented when we left together and I was surprised that Roger made no protest as I accompanied him back to his little semi-detached. I already knew exactly where he lived because I had seen him on several occasions standing at the bus queue in Dobson Street in a silent line of reluctant morning passengers. Once I even positioned myself on a nearby wall in order to study his features more carefully. It was an anonymous, almost commonplace face but he had the warmest eyes and the kindest smile I had observed in any man. My only anxiety was that he didn't seem aware of my existence, just constantly preoccupied, his eyes each evening and his thoughts each morning only for Madeleine. How I envied that girl. She had everything I wanted - except a decent fur coat, the only thing my mother had left me. In truth, I have no right to be catty about Madeleine, as her past couldn't have been more murky than mine.
All that had taken place well over a year ago and, to prove my total devotion to Roger, I have never entered the Cat and Whistle since. He seemed to have forgotten Madeleine because he never once spoke of her in front of me. An unusual man, he didn't question me about any of my past relationships either.
Perhaps he should have. I would have liked him to know the truth about my life before we'd met, though it all seems irrelevant now. You see, I had been the youngest in a family of four so I always came last in line. I had never known my father, and I arrived home one night to discover that my mother had run off with another man. Tracy, one of my sisters, warned me not to expect her back. She turned out to be right, for I have never seen my mother since that day. It's awful to have to admit, if only to oneself, that one's mother is a tramp.
Now an orphan, I began to drift, often trying to stay one step ahead of the law - not so easy when you haven't always got somewhere to put your head down. I can't even recall how I ended up with Derek - if that was his real name. Derek, whose dark sensual looks would have attracted any susceptible female, told me that he had been on a merchant steamer for the past three years. When he made love to me I was ready to believe anything. I explained to him that all I wanted was a warm home, regular food and perhaps in time a family of my own. He ensured that one of my wishes was fulfilled, because a few weeks after he left me I ended up with twins, two girls. Derek never set eyes on them: he had returned to sea even before I could tell him I was pregnant. He hadn't needed to promise me the earth; he was so good-looking he must have known I would have been his just for a night on the tiles. I tried to bring up the girls decently, but the authorities caught up with me this time and I lost them both. I wonder where they are now? God knows. I only hope they've ended up in a good home. At least they inherited Derek's irresistible looks, which can only help them through life. It's just one more thing Roger will never know about. His unquestioning trust only makes me feel more guilty, and now I never seem able to find a way of letting him know the truth.
After Derek had gone back to sea I was on my own for almost a year before getting part-time work at the Cat and Whistle. The publican was so mean that he wouldn't have even provided food and drink for me, if I hadn't kept to my part of the bargain.
Roger used to come in about once, perhaps twice a week before he met the blonde with the shabby fur coat. After that it was every night until she upped and left him. I knew he was perfect for me the
first time I heard him order a pint of mild. A pint of mild - I can't think of a better description of Roger. In those early days the barmaids used to flirt openly with him, but he didn't show any interest. Until Madeleine latched on to him I wasn't even sure that it was women he preferred. Perhaps in the end it was my androgynous looks that appealed to him. I think I must have been the only one in that pub who was looking for something more permanent And so Roger allowed me to spend the night with him. I remember that he slipped into the bathroom to undress while I rested on what I assumed would be my side of the bed. Since that night he has never once asked me to leave, let alone tried to kick me out. It's an easy-going relationship. I've never known him raise his voice or scold me unfairly. Forgive the cliche, but for once I have fallen on my feet.
Brr. Brr. Brr. That damned alarm. I wished I could have buried it. The noise would go on and on until at last Roger decided to stir himself. I once tried to stretch across him and put a stop to its infernal ringing, only ending up knocking the contraption on to the floor, which
annoyed him even more than the ringing. Never again, I concluded. Eventually a long arm emerged from under the blanket and a palm dropped on to the top of the clock and the awful din subsided. I'm a light sleeper - the slightest movement stirs me. If only he had asked me I could have woken him far more gently each morning. After all, my methods are every bit as reliable as any man-made contraption. Half awake, Roger gave me a brief cuddle before kneading my back, always guaranteed to elicit a smile. Then he yawned, stretched and declared as he did every morning, "Must hurry along or I'll be late for the office." I suppose some females would have been annoyed by the predictability of our morning routine - but not this lady. It was all part of a life that made me feel secure in the belief that at last I had found something worthwhile. Roger managed to get his feet into the wrong slippers - always a fifty-fifty chance – before lumbering towards the bathroom. He emerged fifteen minutes later, as he always did, looking only slightly better than he had when he entered. I've learned to live with what some would have called his foibles, while he has learned to accept my mania for cleanliness and a need to feel secure.
"Get up, lazy-bones," he remonstrated but then only smiled when I re-settled myself, refusing to leave the warm hollow that had been left by his body. "I suppose you expect me to get your breakfast before I go to work?" he added as he made his way downstairs. I didn't bother to reply. I knew that in a few moments' time he would be opening the front door, picking up the morning newspaper, any mail, and our regular pint of milk. Reliable as ever, he would put on the kettle, then head for the pantry, fill a bowl with my favouritebreakfast food and add my portion of the milk, leaving himselfjust enough for two cups of coffee. I could anticipate almost to the second when breakfast would be ready. First I would hear the kettle boil, a few moments later the milk would be poured, then finally there would be the sound of a chair being pulled up. That was the signal I needed to confirm it was time for me to join him. I stretched my legs slowly, noticing my nails needed some attention. I had already decided against a proper wash until after he had left for the office. I could hear the sound of the chair being scraped along the kitchen lino. I felt so happy that I literally jumped off the bed before making my way towards the open door. A few seconds later I was downstairs. Although he had already taken his first mouthful of cornflakes he stopped eating the moment he saw me.
"Good of you to join me," he said, a grin spreading over his face. I padded over towards him and looked up expectantly. He bent down and pushed my bowl towards me. I began to lap up the milk happily, my tail swishing from side to side. It's a myth that we only swish our tails when we're angry. ;)